Showing posts with label Guns N Roses. Show all posts
Showing posts with label Guns N Roses. Show all posts

Monday, February 15, 2010

WATCH YOU BLEED: The Saga of Guns N Roses


by Stephen Davis
Published by Penguin

In his autobiography, Slash basically calls Stephen Davis' Led Zeppelin chronicle Hammer of the Gods self-indulgent bullshit. Davis most likely read that as part of his "research" for this, his 400-plus account of the career of the 1980s' last great rock band, which could account for why he spends so much of this book slagging off the guitarist and the rest of his dysfunctional crew of egotists, control freaks, junkies and boozehounds. Guns N' Roses may well have been among the most selfish and dispicable group of musicians ever to sleaze out of a Hollywood gutter -- misogynistic, drug-addled, violent, unrepentent, obnoxious and disgraceful -- but a biographer's job should be to provide balance. Whatever their faults, and there are many, Guns N' Roses still stands as one of the greatest bands of all time, a band whose Appetite for Destruction album is still the highest-selling debut record by any artist ever. 23 years after it came out. So GnR may well be scumbags, but they deserve a much better biography than this.

Watch You Bleed, for all its readability and occasional jaw-dropping moments, falls down on a number of levels. And it falls hard: Davis, the man who co-wrote an Aerosmith biography, incorrectly identifies the release year of that band's Draw the Line album as 1979. He refers to Paul Stanley as "the bass player from Kiss", calls Skid Row a trio from Philadelphia with a Canadian singer, and claims that Slippery When Wet was Bon Jovi's debut. He gets dates wrong (like Axl Rose's birthdate), misidentifies locations and even suggests Hendrix burned a Les Paul at Woodstock. I do more fact-checking when I write a review than this guy did writing an entire book. Worse, every mistake I just listed should simply have not even been made by a dude who wrote books about Zeppelin and Aerosmith. But really, Davis didn't so much as author a book as string together a bunch of interviews and chapter-long personal opinion pieces about their work.

I loved Guns N' Roses (still do!) and devoured everything I could find about them, so re-reading masses of quotes from Kerrang!, RIP and dozens of other mags from the period was a nice trip down memory lane, but nothing I didn't already know. Indeed, there's almost nothing here that a long-time Gunners fan wouldn't have read or heard about somewhere else: magazines, Slash's and Mick Wall's books, TV. Davis tries to compete with The Dirt by dedicating a few hundred pages to the various members' debaucheries, but it rings hollow because The Dirt was actually written by Mötley Crüe. No one from Guns N' Roses had any input into this book at all.

Not only is this an unofficial cash-in, originally released in hardback around the time Chinese Democracy was released, but it's a lazy one. Even with the possibly that Davis was probably only given months to complete this in time to coincide with the launch of the most anticipated album in rock history, Watch You Bleed is pretty half-arsed. It did make me want to listen to Appetite for Destruction again though, so some good did come out of it.

Saturday, January 10, 2009

GUNS N' ROSES: Chinese Democracy


Produced by W. Axl Rose and Caram Costanzo

Released: 2008

I was tossing up whether to even bother reviewing this album but in the end I decided that it would almost be remiss of me not to do so. With almost a decade and a half of hype and expectation behind it, Chinese Democracy is without doubt the most anticipated album in history and trying to look at it with an open mind is virtually impossible.

In many ways Chinese Democracy is rather like the rock music equivalent of Heaven's Gate: a long delayed, massively over-budget ego-project that was underwhelmingly received when finally released. There are significant differences with Michael Cimino's turgid and ill-fated 1980 Western however, not the least of which is that Chinese Democracy is a far better record than Heaven's Gate is a film. At the same time, this is not a particularly groundbreaking album and certainly isn't the indomitable classic release that a recording that took as long as this to make -- with the people who helped to make it -- should be. Yet, while it might not stand the test of time the way Appetite for Destruction or the Use Your Illusion albums have done, this is actually a very good album.

One of the most oft-heard criticisms of Chinese Democracy is that it doesn't sound like Guns n' Roses; while it's true that Slash's signature raw dirty blues guitar tone is missing, anything with Axl Rose singing on it is going to sound like Guns n' Roses. And this does, only it sounds like the overdramatic parts of the Use Your Illusion albums with tape-loops, hip-hop beats, nu-metal parts and industrial stuff added to it. Axl's sneaky little coda to that album, "My World", practically pre-sages the first and title track of this, a stomping pseudo-industrial rocker with a mean lead riff stolen directly from "Owner of a Lonely Heart" by Yes. "Shackler's Revenge" opens with a tired-sounding nu-metal motif that shows how long these songs have been around for, and then "Better" kicks off by mining hip-hop for inspiration before taking a sharp right into sleazeball rock. Driven by Dizzy Reed's piano, "Street of Dreams" is the first track that really displays Chinese Democracy's true sound, coming across as it does like a sequel to "Estranged" but, in spite of the ludicrous amount of production and the fact it now takes five guitarists to do what two once did, the album never actually sounds as pompous as some of the stuff on UYI.

Yes, "There Was a Time" has strings and a choir and stupid amounts of guitar and a bunch of other stuff going on, but somehow it all just seems to work. And "Scraping" and "IRS" show that underneath all the gloss, the walls of keys, sub-bass snarling and masses of guitar-shred, there is still a very angry rock beast. Indeed, like all their previous albums, Chinese Democracy is driven by Axl's demons, his despair, his rage and his self-indulgent, my-way-or-no-way, middle-finger-wagging defiance. It may have taken seven times longer than anyone expected for it to come out, but this is Axl's music, Axl's way and he clearly doesn't care if you like it or not.

  1. Chinese Democracy
  2. Shackler's Revenge
  3. Better
  4. Street of Dreams
  5. If the World
  6. There Was a Time
  7. Catcher in the Rye
  8. Scraped
  9. Riad n' the Bedouins
  10. Sorry
  11. IRS
  12. Madagascar
  13. This I Love
  14. Prostitute

Rating: 90%