Showing posts with label Yngwie Malmsteen. Show all posts
Showing posts with label Yngwie Malmsteen. Show all posts

Saturday, July 5, 2008

YNGWIE J. MALMSTEEN: Trilogy


Produced by Yngwie J. Malmsteen

Released: 1986

Following two shred-heavy albums, Yngwie J. Malmsteen made a grab for commercial success on his third album and adopted a lot of the gloss and sheen of the pop-metal bands around him, maxing out the keyboards almost to the detriment of his own rhythm guitar tracks and focusing on songs rather than shredfests. He also decided that this was Rising Force no longer but simply a Yngwie J. Malmsteen album and even credits himself as "conductor" along with producer, composer, guitarist and bass player.

This new approach pretty much failed on almost every level, because he could barely write a decent song to save himself and in Mark Boals he found a singer who was really only average at best. Malmsteen is a classically-influenced heavy metal guitarist, not a pop songwriter, so his efforts here pretty much fall flat. That said, "You Don't Remember, I'll Never Forget" is really not too bad, a catchy and memorable slice of 80s pop metal only let down slightly by Boals' forced high notes. Most of the rest of the tracks are pretty ordinary however, rife with corny lyrics like "Queen in Love", juvenile attempts at Dio-like allegory ("Magic Mirror") or plain over-simplicity (rhyming "fire" with "higher" and "desire" like no one had ever thought of it before).

For all of its weaknesses, however, Trilogy has two things going for it. The first is "Crying", a synth-enhanced acoustic instrumental that actually displays some quite emotive playing that alludes to his classical influences. The other is "Trilogy Suite Op:5", in which Yngwie just does what he does best: shreds his fingers off for seven minutes. This is quite possibly the true high point of his career, a three-part epic instrumental that opens with a face-melting series of cadenza lines, blazing riffage and interplay with his own furious bass lines and Jens Johannson's synths. Later a slower acoustic section rises up before the whole thing finishes with more intense guitar madness. This shows what a truly stunning musician Malmsteen is and how magnificent he can be when he really puts his mind to it. It's also the last time he would do something like this once he realised he could simply live off his reputation and not bother putting too much effort in.

Trilogy gets most of its marks for this track alone, but it's also hard not to give Yngwie credit for that gloriously cheesy cover painting of him using his guitar to fight a three-headed dragon. Power metal bands all over Europe owe him a debt for this they can't possibly repay.


  1. You Don't Remember, I'll Never Forget
  2. Liar
  3. Queen in Love
  4. Crying
  5. Fury
  6. Fire
  7. Magic Mirror
  8. Dark Ages
  9. Trilogy Suite Op:5

Rating: 50%



Friday, February 29, 2008

YNGWIE J. MALMSTEEN'S RISING FORCE: Attack!!


Released: 2002

I've never seen the big deal about Yngwie J. Malmsteen. There are and have always been tons of ridiculously talented guitar players around, but somehow this belligerent, drunken, fat, egotistical Swede has won himself an astonishing army of fans. And yet the more I hear of his music, the more I feel that his reputation is based virtually entirely on his first two (and possibly three) solo albums and his work with Steeler.

For a guy who has been hailed as a genius all this time, he certainly doesn’t seem to stretch his playing very far. As far as my opinion of him goes, Malmsteen’s always come across as little more than a massively ego-driven Blackmore copyist made good, and these days he’s not even worshipping Blackmore anymore because he’s too busy worshipping himself.

Attack!! (with two exclamation points, no less) continues the Swede’s obsession with former Rainbow vocalists (Doogie White in this case, who sang on Stranger in Us All, Blackmore’s last album before he went back to the 16th century), and his own self-indulgent twaddle. The album starts with one of his trademark widdly-widdly fretboard runs and for the next fifty minutes that’s about all he does. Derek Sherinian is credited as playing on this too, but with Yngwie playing everything else except the drums, he doesn’t get to do very much.

By track five or so I was well and truly over it, but I stuck it out in case Yngwie pulled out a good song like he’s want to do now and then. No such luck. Attack!! bored me stupid, and that’s a hard thing to do.


  1. Razor Eater

  2. Rise Up

  3. Valley of the Kings

  4. Ship of Fools

  5. Attack!!

  6. Baroque and Roll

  7. Stronghold

  8. Mad Dog

  9. In the Name of God

  10. Freedom Isn't Free

  11. Majestic Blue

  12. Valhalla

  13. Touch the Sky

  14. Iron Clad

  15. Air

Rating: 23%